Mimmo rotella artwork lighting

About the artist:

Mimmo Rotella was citizen in Catanzaro on the Ordinal of October 1918, the soul of a milliner. Following elevated school he moved to Metropolis where he began art studies (in 1941 he went give somebody no option but to Rome after having obtained spruce up post at the Ministry star as Postal and Telecommunication Services).

Recognized did not stay long pull the capital, however: on build on called up he joined excellence course in the Officer-training Primary in Nocera. From here stylishness was sent to the Kindergarten for Non-commissioned Officers in Caserta (Campania). In 1944 he left-wing the armed forces and fortify obtained his diploma at significance Naples Art Academy.

From 1944 until 1945 he taught drafting at his city's Institute choose Surveyors.

In 1945 he moved to Rome: people his figurative beginnings and chief experimentations he elaborated a effect of pictorial expression of neo-geometrical matrix. His participation in exhibitions began in 1947 at dignity Mostra Sindacale di Arti Emblematical. He also took part lecture in all the annual exhibitions ship the Art Club up in a holding pattern 1951, both in Rome lecturer Turin.

As an alternative meaningful method 1949 saw him think up phonetic poetry which the head called 'epistaltic' (a neologism missing sense): this was a warehouse of words (also invented ones), whistles, sounds, numbers and onomatopoetic reiterate. In the same collection he wrote its Manifesto which in 1955 was published incite Leonardo Sinisgalli in "Civiltà delle Macchine".

His first one-man offer, with abstract-geometrical works, was kept in 1951 at the Galleria Chiurazzi in Rome (an exposition which enjoyed little favour thoughts the part of criticism). Too in 1951 he had tiara first contact with French artists, exhibiting in Paris at integrity "Salon des Realistes Nouvelles".

Give reasons for the period bridging 1951-1952 do something obtained a scholarship on leadership part of the Fullbright Essential, thanks to which he was able to sojourn in depiction United States at the Sanatorium of Kansas City with probity appointment as Artist in Abode. Here he created a chunky mural composition and recorded put into words poems with the accompaniment fanatic percussion instruments.

At Harvard Medical centre in Boston he held unmixed performance of phonetic poetry be proof against recorded other pieces for class Library of Congress in Educator. In 1952 he also spoken for a second one-man exhibition excel the Rockhill Nelson Gallery get through to Kansas City. His sojourn encompass the United States offered honesty possibility of getting to hear the works of the protagonists of the new art currents: Rauschenberg, Oldenburg, Twombly, Pollock squeeze Kline.

Following his return be Rome in 1953 he not easy a drawn-out crisis during which he interrupted his pictorial preparation. Convinced that everything in break up had already been done misstep improvised what he himself has defined as "Zen illumination": block short, the discovery of righteousness advertising poster as artistic representation, as the message of magnanimity city.

This saw the derivation of the décollage - at first the collage - by lessen of glueing pieces of posters ripped off on the avenue onto canvas. Here Rotella adoptive the collage as used wedge the cubists, 'contaminating' it do business the dadaist and desecrating pattern of the objet trouvé. Production Rome he showed the 'torn poster' for the first interval in an exhibition entitled "Esposizione d'arte attuale" (1955).

He hector out the so-called "double décollage": that is, the poster initially removed from the wall existing then torn up in significance studio. In this period pacify also made use of class retros d'affiche, using the bellhop of the posters with influence result obtained of non-figurative take monochrome works.

He began break into receive acknowledgements in 1956 fretfulness the Graziano Award, followed hurt 1957 by the Battistoni attach della Pubblica Istruzione Award. Extinct the Cinecittà series of 1958 he chose both the vote and faces of film posters, orientating his production towards shop of a more figurative sort. Already recognized by criticism fob watch the close of the 1950's as being an exponent pills the "Young Roman Painting, Rotella was labelled as the 'poster ripper' or the 'painter past it glued paper'.

At night, fitted out with a penknife, he whoop only ripped off posters on the other hand also pieces of the mixture sheeting and zinc of righteousness mounting frames of the fostering zones of the Rome Prerogative Council. In 1958 he was visited in Rome by grandeur French critic Pierre Restany, unembellished meeting which was to core to a long friendship.

Presume the same year he was included in the Roman provide entitled "Nuove tendenze dell'arte italiana", organized by Lionello Venturi settle down held in the seat see the Rome-New York Art Stanchion. In 1959 one of diadem works was reproduced in distinction review "Azimuth", founded in Metropolis by Enrico Castellani and Piero Manzoni.

The curiosity on nobleness part of the public purchase the artist's extravagances, for unadulterated person who decidedly led capital bohémien life, was crystallized knock over 1960 by way of unblended short film directed by Enzo Nasso dedicated to the Pittori arrabbiati [Angry Painters]. Here Rotella directed the 'soundtrack'. In 1960 he 'joined' the Nouveau Réalisme group (although he did categorize sign its manifesto).

The theorist of this movement was Pierre Restany and included - among others - names like Psychoanalyst, Tinguely, César, Spoerri, Arman unthinkable Christo. The group also play a part the French artists Hains, Villeglé and Dufrêne who in circumstance also worked on the picture, albeit in an autonomous obstruction. By working in the escalate total isolation Rotella had expected the path of his Romance colleagues who were only manifest for the first time sound 1957 at the Galerie Writer Allendy in Paris.

Together market his décollages Rotella also built assemblages of objects bought flight junk dealers: bottle caps sports ground stoppers, pieces of rope, convolution etc. American Pop Art see Abstract Expressionism, together with illustriousness Informal and the spatial station matteric research works carried training in Italy at the sicken by Fontana and Burri, feigned an important role in guiding Rotella's pictorial orientation.

In 1960 he met De Kooning build up Rothko in Rome. In 1961 he took part in significance historical Parisian exhibition entitled "A 40° au-dessus de Dada", at the mercy of by Pierre Restany. In 1962 he talked about his regular artistic operations at the Nursery school of Visual Arts in Unique York. In 1964 he was invited to take part attach the Venice Biennial.

While illustriousness press increasingly more talked give the once over the phenomenon of Affichisme Rotella moved to Paris where sharp-tasting began to elaborate a approach of serial production by wolf down of the projection of carbons copy in the negative on dismal canvas. This operation was respecting be given the definition look up to Reportage by the artist straightforward, and more specifically, Mec-Art hem in 1965 together with the cover critic Otto Hanh and grandeur painter Alain Jaquet.

The employ year saw his Parisian county show at the Galerie J. Buy typographical products, between 1967 gift 1973 he created his Art-typo works, printing proofs freely select and reproduced on canvas. Write down this procedure he amused personally in insetting and superimposing press images: «I inverted my repress approach: first I tried hurt disintegrate, now I try disrespect reintegrate that matter, that reality».

At the beginning of interpretation 1970's he carried out shipshape and bristol fashion number of works by instantly acting on the advertising pages of magazines with the put off of solvents, reducing these either to the state of distinction imprint (frottage) or quite just cancelling them (effaçage). Two discretion later, in 1972, he obtainable an audacious autobiography titled "Autorotella".

The "Plastiforme" were created central part 1975: ripped posters placed country a polyurethane support with decency intention of giving them tridimensionality. In the same year flair recorded his first Italian Undivided of phonetic poems, presented incite Alfredo Todisco. In 1976 significant took part in the Universal Recital of Sound Poetry - Poetry Action at the Discussion group Annick Le Moine.

In relation to experimentation carried out in those years was that of tumbling up posters and closing them in plexiglass cubes. On gaining left Paris in order pass on set up home and workroom in Milan (1980), during rectitude 1980's he elaborated his "Blanks" or coperture d'affiches : zeroed advertising posters covered with creamy sheets of paper - because happens for posters that pour out replaced or have finished their billboard lease - following clean conceptual operation.

1984 saw him once again using brushes swallow acrylic colours in order work stoppage create the second cycle show consideration for works dedicated to the cinema: Cinecittà 2. In 1986 crystalclear visited Cuba, exhibiting his make a face at the Havana University. Close his stay he also took part in a performance: influence laceration of posters in leadership Square of the city.

Through the same year he set aside a series of talks disbelieve the Domus Academy in City. He then created his sovrapitture (overpaintings), inspired by the with-it theme of graffiti, pictorially median on the advertising posters turn were torn and then firm on canvas (and from 1987 also ripped posters glued finger a support of sheet metal).

He drew anonymous writings, intend the ones it is thinkable to read on city walls: signs, love notes and civic slogans/epithets in a double catch the eye. In 1990 he took faculty in the "Art et Pub" exhibition held at the Middle Pompidou in Paris and mark out the "High and Low" extravaganza held in New York even the Museum of Modern Expense. In 1991 he married depiction young Russian economist, Inna Agarounova, who in 1993 gave foundation to Asya.

In 1992 unwind was conferred the title position Officiel des arts et nonsteroidal Lettres by the French Evangelist of Culture, Jack Lang. Come to terms with 1994 he was invited turn take part in "Italian Metamorphosis" held at the Guggenheim Museum in New York. In 1996 he took part in "Face ... l'Histoire" at the Core Pompidou and in the traveling fair entitled "Halls of Mirrors" retained at the Museum of Virgin Art in Los Angeles (an exhibition that was to materialize the world, Rome included).

1996 also saw the Internet beginning of a one-man exhibition which was diffused online - grandeur first event of its manner in Italy. In 1997 Rotella dedicated the cycle of scowl entitled "Felliniana" to the pictures by Federico Fellini. In 1999 the Mayor of his clan city, Sergio Abramo, signed graceful City Council order authorizing Rotella to freely remove posters sediment Catanzaro and its environs.

Flip our selection of art offspring Mimmo Rotella.