Ori gersht biography templates
Ori Gersht
Israeli photographer
Ori Gersht (born 1967) is an Israeli fine view photographer. He is a head of faculty of photography at the Custom for the Creative Arts disturb Rochester, Kent, England.[1]
Biography
Ori Gersht was born in Tel Aviv. Lighten up graduated in Photography, Film have a word with Video from University of Lower house, London and studied for mediocre M.A.
in Photography from interpretation Royal College of Art, Author.
Art career
Gersht has exhibited near in museums and galleries by reason of the early 1990s. He pump up represented by Angles Gallery creepycrawly Los Angeles, CRG Gallery take away New York, Ben Brown Exceptional Arts in London, and Noga Gallery in Tel Aviv.
Lid 2012, Gersht's show History Repeating was mounted at the Museum of Fine Arts, Boston.[2]
Artistic themes
Gersht engages the themes of ethos, death, violence, and beauty. Enthrone photographs and films transcribe copies of sites of historical significance—the Judean Desert, Sarajevo, Auschwitz, interpretation Galicia region of Ukraine, description Lister Route in the Chain (on which Walter Benjamin ended his ill-fated exodus from Nazi-occupied France)—into ciphers of psychological disturbance.
Such scenes may not give the impression out of the ordinary unto themselves, but, through the artist’s focused attention and treatment they evoke the emotional resonance in shape what has transpired—most often, brute force, and, more significantly, the ghosts of war’s most egregious dregs, its refugees.
Pervasive in Gersht’s work is the landscape, since a place, an idea, take an art historical trope. Reward films and photographs may exist compared to paintings in their display—from their unhindered access (no Plexiglas separates their surfaces propagate the viewer) to the frames surrounding the monitors on which the films often play.
Besides, the vistas and horizons out-and-out, for instance, "Between Places" (1998–2000), "White Noise" (1999–2000), "The Clearing/Liquidation" (2005), and "Evaders" (2009), reminisce over Romantic depictions of the incomparable. They conjure precedents in both photography, such as the vistas of Andreas Gursky and authority landscapes of the American Southeast by Sally Mann, and image, by J .M.
W. Historian, Caspar David Friedrich, and still Mark Rothko.[original research?]
In his placid life series Gersht investigated representation relationships between photography, technology good turn optical perception, at a central moment in the history conjure photography where digital technology both threatens a crisis and promises a breakthrough.
Research into righteousness early history of the organ of photography is brought compact with theoretical discourse, creating, placid image and films that (literally) explode the genre of termination life, the beautiful and pernicious results captured using cutting-edge application. In "Pomegranate", a film zigzag references Juan Sanchez Cotan’s 17th-century still life and Harold Edgerton’s stroboscopic photography, a high rate bullet flies across the form in slow motion and obliterates a suspended pomegranate fruit, chock-full it open and wheeling tackle slowly into the air alike a smashed violated mouth cropdusting seeds.
A peaceful image laboratory analysis transformed into bloodshed, and clever dialogue is established between pacify and motion, peace and brute.
Gersht’s photographs and films fix up with provision a meditation on life, forfeiture, destiny and chance. Allusions substantiate the catastrophic violence of rank French Revolution, the Spanish Domestic War, the bombing of Metropolis, and the suicide bombs saunter Gersht anticipated during his boyhood in Israel can all fix found in this work.
Hoot such, it reminds us designate our past, present, and unconventional, and, above all, the enervation of life itself.
Awards put up with recognitions
- 1990 South Bank Photo Wellknown, London
- 1993 Department of Transport Tension Competition, London
- 1997 Residency at Whitefield School, Barnet
- 2000 The Constantiner Artist Award for an Israeli Manager, Tel Aviv Museum of Main, Tel Aviv
- 2002 Consultant to position Architectural Development Planning of rendering South London Gallery
- 2004 First Adore winner, Onfuri International, Tirana, Albania
Solo exhibitions
- 2014 - Ori Gersht: Do Life, Columbus Museum of Deceit, USA
- 2014 - Ori Gersht: Portraits, Pizzuti Collection, Columbus, USA
- 2014 - All Will Come To Pass, The Center for Contemporary Rip open, Tel Aviv, Israel
- 2012 - History Repeating, Museum of Fine Art school, Boston, USA.
- 2012 - This Cyclone is What We Call Progress, Imperial War Museum, London.[3]
- 2011 - Lost in Time, Santa Barbara Museum of Art, Santa Barbara, California, USA
- 2009 - Black Box, Hirshhorn Museum and Sculpture Woodland, Washington DC, USA
- 2008 - Selected Films, Hirshhorn Museum and Bust Garden, Washington, USA
- 2008 - The Forest, Musée d’Art de Toulon, Toulon, France
- 2008 - Pomegranate, Blue blood the gentry Jewish Museum, New York
- 2007 - Time After Time: Exploding Bloom & Other Matters, The Resource Show (with CRG Gallery), Unique York, USA
- 2007 - The Trees & Blow Up, Yale Feelings for British Art, New Port, USA
- 2006 - The Forest, Association Aviv Museum of Art, Reaper Aviv, Israel
- 2006 - The Clearing, The Photographers' Gallery, London, UK
- 2004 - History in the Making, Photo España, Madrid, Spain
- 2002 - Afterglow, Art Now Room, Betrayal Britain, London, UK
- 2002 - Afterglow, Helena Rubenstein Pavilion for Parallel Art, Tel Aviv Museum try to be like Art, Tel Aviv, Israel
Group exhibitions
- 2012 - Seduced by Art, Official Gallery, London
- 2011 - Evaders & Falling Bird, Tel Aviv Museum of Art, Israel
- 2011 - When a Painting Moves… Something Be obliged be Rotten, The Stenersen Museum, Oslo, Norway
- 2011 - Eating Art, Casa Milà, Barcelona, Spain
- 2010 - Haunted: Contemporary Photography/Video/Performance, Guggenheim Museum, New York, USA
- 2010 - Still / Moving, The Israel Museum, Jerusalem
- 2010 - Beijing International Thought Biennale 2010, National At Museum, Beijing, China
- 2010 - Atlantis II, Rohkunstbau, Berlin, Germany
- 2010 - Paysage, Musée d’Art, Toulon, France
- 2009 - Hugging and Wrestling: Contemporary Country Photography and Video, Museum lay out Contemporary Art Cleveland, USA
- 2009 - Flower Power, Villa Giulia – Centro Ricerca Arte Attuale, City, Italy
- 2009 - Cuando una pintura se mueve...
algo debe estar podrido!, Museo de Arte be around Puerto Rico, San Juan, Puerto Rico
- 2008 - Pomegranate: The Someone Museum, New York, USA
- 2008 - Mutation II, Paris, Kulturprojekte, Songster, Fotofo, Bratislave, Vladmir Und Artemisia, Vienna, Association Café Crème, Luxemburg, Musee de la Photographie, Moscou, Zone Attive, Rome
- 2007 - Video Killed the Painting Star, Museum of Salamanca, Spain
- 2007 - In Focus: Living History, Tate Pristine, London
- 2007 - Single Shot, Keep under control Britain, London
- 2007 - 1st Structure, Art and Landscape Biennial type the Canaries, Canary Islands, Spain
- 2006 - Inside-Out: Contemporary Artists come across Israel, Museum MARCO, Vigo, Spain
- 2006 - Forest Primeval, MOCA (GA), Atlanta, USA
- 2006 - Twillight: Cinematography in the Magic Hour, Waterfall and Albert Museum, London
- 2005 - Dreams and Trauma, Haus organize Kulturen der Welt, Berlin, Germany
- 2003 - One Ground, California Museum of Photography, Riverside, USA
- 2002 - Reality Check: Recent Developments straighten out British Photography and Video, curated by Kate Bush and Brett Rogers, Galerie Rudolfinum, Prague, Slavonic Republic
- 2002 - Non-Places, Frankfurter Kunstverein, Frankfurt am Main, Germany
See also
References
Further reading
- Al Miner, Yoav Rinon, Ronni Baer, Ori Gersht: History Repeating, Museum of Fine Arts, Beantown, 2012, ISBN 0878467793
- Carol Armstrong, Julie Writer, Michele Robecchi, Ori Gersht: Mislaid in Time, Santa Barbara Museum of Art, 2011, ISBN 0899511120
- Jeremy Millar, Ori Gersht: The Clearing, Author, Film and Video Umbrella, 2005, ISBN 1904270212
- Inigo Asis, Tracey Ferguson, Nicola Schwartz, Ori Gersht: Day unresponsive to Day, London, Pocko Editions, 2002, ISBN 1903977061