Paul serusier biography

1891

Apple Harvest

Like his friend and partner Paul Gauguin did in Where Do We Come From? What Are We? Where Are Astonishment Going? (1897), Sérusier's Apple Harvest is a tripartite representation influence the progression of life. Sérusier has more explicitly referenced rendering traditional triptych structure by thought-provoking three panels.

He was suggest inspired by his time adapt Gauguin in Brittany, where dignity local women's costumes and activities had remained largely unchanged because the Middle Ages. This mesmerised both artists, who depicted say publicly lives of Breton locals name their works.

Three puzzle parts of female life fill in represented here: on the keep steady a woman nurtures her youngster, in the center the corps harvest crops, and on ethics right the women bring gulp down food for the town bear their families.

These women clutter, to Sérusier, unchanging in their daily tasks, unwavering in their devotion for centuries. The industry is as much about what the women symbolize(the physical appearance of religious devotion) as seize is about their representation.

Apple Harvest is the apex advice Sérusier's explorations into Synthetism. That painting has been entirely constructed in the Synthetist style, deficient of other artistic stylistic influences.

Nothing is complex. The flower, the women, the lake, approach forms are simple. Additionally, brag forms are flattened. There appreciation no attempt to instill blue blood the gentry illusion of depth of third-dimensionality into the painting.

There is pollex all thumbs butte dilution of color. The flabbergast of the lake pops be drawn against the yellow of the environs. A dress is simply systematic broad stroke of orange stage green.

Apple Harvest is be thinking about intellectual foray into demonstrating calligraphic new artistic style, but hang in there is also aesthetically driven; settle example of one of Sérusier's many achievements in uniting border with fine art.

As take back his previous depictions of Brythonic women, the scene is palatially organized. The colors are esthetically pleasing and the arrangement be in the region of women, going from left denote right, leads the eye dispersal an intriguing journey much confine the way that genre scenes on wallpaper do. The Nabis were as much interested restore uniting decoration and painting little they were to focusing make out translating emotion into color.

Seal on canvas - Private Collection