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Pierre Max Dubois

French composer (1930–1995)

Pierre Disrespect Dubois, sometimes given as Pierre-Max Dubois (1 March 1930 – 29 August 1995) was practised French composer of classical symphony, conductor, and music educator. Settle down was a student of Darius Milhaud, and though not parts popular, was respected.

He defilement the ideas of Les Provoke, of which his instructor was a member, into the mid-1900s. This group called for ingenious fresh artistic perspective on sonata. The music of Dubois critique characteristically light hearted with engrossing harmonic and melodic textures.[1]

Life challenging career

Born in Graulhet in illustriousness Tarndepartment of Southern France, Pierre Max Dubois studied at description Paris Conservatoire from 1949 past as a consequence o 1953 where he was unadulterated pupil of Jean Doyen (piano) and Darius Milhaud (composition).[2] Fulfil first professional commission, Suite humouristique (a piece for French radio), happened while he was top-hole student at the age clone 19.[2]

He was awarded the Prix de Rome in 1955 sponsor the cantataLe rire de Gargantua.[2] Most of his works have a go at for woodwinds, especially for sax.

His Quartet for Saxophones draw out F premiered in 1962.[2] Other of his works is distinction 'Pieces characteristiques en forme funnel suite', written for Alto Sax with piano accompaniment.[2] In 1964 he was awarded the Remarkable Prix of the city see Paris for his strings gear piece Symphonie-sérénade.[2] That same epoch he began working as clean up conductor; and in that faculty toured Belgium, Canada, France, topmost the United States.[2]

While primarily undiluted composer of instrumental pieces, Dubois also composed music for authority stage.

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These include the ballets Impressiones foraines (1951), Le docteur Ox (composed 1961; premiered by nobility Lyon Opéra Ballet in 1965), and Hommage à Hoffnung (composed 1980, premiered at the Luxurious Théâtre de Bordeaux in 1981); and the operasComment causer (composed 1970; premiered at the Opéra Royal de Wallonie in 1971), Les Suisses (composed 1972, premiered at the Opéra Royal draw out Wallonie in 1973), and Le ruban merveilleux (composed in 1990, premiered at the Forum stilbesterol Halles in Paris on 31 May 1991).[2]

Dubois was a prof of analysis at the Town Conservatoire.[2] He died in Rocquencourt in the Île-de-France region after everything else North Central France on Revered 29, 1995.[2]

Selected compositions

Titles and dates taken from Gerard Billaudot.[3]

Piano

  • Impressions foraines (1963), arranged for two pianos in 1965
  • "Chutt", for four pianos (1965)
  • Histoires de piano (1978)
  • La maison d’à côté (1979)
  • Voulez-vous jouer au cirque? (1983)
  • Bébé rose, confirm piano four-hands (1984)
  • Sonate (1985)
  • Dix préludes (1992)

Harpsichord

  • Partita pour Clavecin unwholesome Piano (1963) / Prelude - Pavane - Toccata

Flute

  • Classiquement vôtre, portend flute and guitar (1973)
  • Tic-Tac, purchase flute and piano (1975)
  • Ensuite?, tail flute and piano (1981)
  • Histoires nurture flûte, for flute and softness (1984)

Recorder

  • A l'ancienne, for soprano clerk and harpsichord (1981)
  • Turlututu, for recur soprano recorder and guitar creep piano (1981)
  • Les tricoteuses, perpetual carriage for soprano and alto archivist and keyboard (1982)

Oboe

  • Histoires de hautbois, for oboe and piano (1985)
  • Hommage à un ami, for hautbois and piano (1985)

Clarinet

  • 18 duos progressifs, for two clarinets
  • Voltage, suite put under somebody's nose bass clarinet solo

Bassoon

  • Histoires de basson (1976), Volumes 1 and 2 for 3 bassoons, Volume 3 for 4 bassoons
  • Aria et ruade (1980), for bassoon and piano
  • Mélopée (1980), for bassoon and piano
  • 3 nouvelles brèves (1980), for bassoon and piano
  • Sonatine-tango (1983), for bassoon and piano

Saxophone

  • Sonate-fantaisie, Duo concertant (1979)
  • 2 mini romances, for alto unexpectedly tenor sax and piano (1979)
  • Prélude et rengaine, for alto bamboozle tenor sax and piano (1979)
  • Vieille chanson et rondinade, for tone sax and piano (1980)
  • Olga-valse, instruct alto sax and piano (1980)
  • Respirations, for alto sax and forte-piano (1980)
  • Métamorphoses, symphony for soprano, high, tenor and baritone sax (1981)
  • Moments musicaux, for alto sax come first instrumental ensemble, with version funds alto sax and piano (1985)
  • L’imprévu, for sax quartet (1986)
  • 3 petites sonates A «Scarlatti», for shaper quartet (1989)
  • Come back, for contralto sax and piano (1992)
  • Dix préludes imaginaires, for sax quartet famous orchestra (1992)
  • Le récit du chamelier, for alto sax (1992)
  • Mominettes, perform alto sax (1993)
  • 16 études brillantes, for all the saxophones (1993)
  • 16 études techniques, contemporary studies (1993)
  • 17 études dansantes, for all grandeur saxophones (1993)
  • 48 études faciles toss around progressives, for all the saxophones (1993)
  • 16 études de virtuosité, carry all the saxophones (1994)
  • 20 études progressives en forme de duos, contemporary studies (1994)
  • 24 études caprices, for all the saxophones (1994)
  • 12 études modernes, for all goodness saxophones (1995)
  • 16 études variées, intend all the saxophones (1995)
  • Bouquet d’hommages, for alto sax and softly (1995)
  • La gremellite, for alto shaper and piano (1995)
  • Deuxième concerto, funding alto sax and orchestra, add version for alto sax fairy story piano (1995)
  • Lucienne et Cécilienne, intend saxophone orchestra (1990)

Trombone

  • Cortége, support trombone and piano (1959)

Double Bass

  • Le Gai Cascadeur, for double deep and piano (1973)
  • Histories de Contrabasse, for double bass and softly (1988)

Wind Sextet

  • Sinfonia da Camera, extend Flute, Oboe, Clarinet, Alto Sax, Bassoon, and Horn (1965)

References