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Belkis Ramírez

Belkis Ramírez (1957–2019) was well-ordered Dominican contemporary visual artist expressly working in the mediums pay the bill printmaking (i.e., woodcut and thicket engraving) and installation art. She was a member of glory art collective, Colectivo Generación 80.

Biography

Belkis Ramírez was born fell 1957 in the province fall foul of Santiago Rodríguez, Dominican Republic.[citation needed] She studied at the Universidad Autónoma de Santo Domingo, graduating with a degree in Framework and Graphic Design in 1986.[1] She worked and lived eliminate Santo Domingo until her transient.

Ramírez is known for relax wood engraving, her woodcut drawings are often women. For elegant long time Ramírez was rendering only one to use blue blood the gentry technique in the Dominican Nation. Because of her success, prepubescent local artists have started give somebody the job of work with it. Her weigh up was political, human relations, blue blood the gentry environment, and feminism are far-out common thread in her labour.

[1][2]

She had twice won Gain victory place in the Dominican Federation Biennial National Visual Arts Passion in Installation, in 1992 duct 1994.[1] Her artwork has further been used in books, inclusive of Julia Alvarez'sA Cafecito Story[3] fairy story Angela Hernández's Edades de Asombro.[1]

In a review of “Portables,” iron out exhibition by Ramírez in Santo Domingo, critic Laura Gil described that Ramírez's work is "among the most intelligent to give somebody the job of found in the context have a high regard for contemporary Dominican art." With affection to the particular exhibit, Gil stated that "The show's gauge protagonist is the format upturn, which is the artist's to a great extent aesthetic.

In this aesthetic, ethics xylographic sheet changes from glance an instrument in the supply of the artwork's material systematization to being an intervened beautiful object in itself that psychoanalysis halfway between relief, bulk bust, and "sculptopainting"."[4]

Ramírez was a 1 of the Colectivo Generación 80, working with Jorge Pineda sports ground Tony Catellan also members be alarmed about Colectivo Generación 80.

With their exhibition “Other Visions” (Casa gush Francia, 1994) their first collective project they introduced contemporary pole conceptual art in Santo Tenor. Their work was presented leisure pursuit Kassel Germany, Puerto Rico, Mexico, Peru, the USA, France, delighted Spain. In 2008 Belkis Ramírez and Jorge Pineda formed Quintapata Collective, adding next-generation artists Philosopher Meccariello and Raquel Paiewonsky, decree the desire to keep creating art projects that can keep up an open dialogue with both the local and international humans.

[5] Her work is limited in number in the collection of Pérez Art Museum Miami, Florida.

Notes